Analysis

Baby Reindeer: I watched hit Netflix show a week ago - and I can’t stop thinking about it

I finally succumbed and binge watched Baby Reindeer last week, and it’s not a tale I’ll forget in a while.

“Is Richard Gadd OK?” has surely now been running through the minds of thousands of people who’ve watched Baby Reindeer. I know I am still wondering about it - and almost tweeted it - a week after watching the hit Netflix show, which dropped onto the streamer in April. 

It’s the semi-autobiographical tale of Gadd’s often complicated relationship he had with his alleged stalker Martha - a woman he gave a cup of tea to, in the London bar he worked in while trying to make it as a comedian. Episode four - oh God, episode four - deals, in harrowing detail, with his sexual assault and rape at the hands of a producer, Darrien. It’s extremely difficult to watch and, by the end of the show, you’re left wondering how anyone could have not just lived through these events, but survived them - and then re-enacted them.

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Initially I’d dismissed Baby Reindeer as it looked a bit too much like a horror story. But after seeing the furore over Martha - I didn’t even know about the assault and rape storyline until about three weeks after the programme first aired - I decided to take the plunge and watch it over three nights. 

It turns out it is a horror, but not the killer doll kind. I lunged from intrigue to cringe to trepidation - with a brief moment of wondering where in Fife he’s supposed to be visiting his parents, and why the trains look like they’re from the 1930s - and sadness. 

Jessica Gunning and Richard Gadd, the stars of Baby Reindeer.Jessica Gunning and Richard Gadd, the stars of Baby Reindeer.
Jessica Gunning and Richard Gadd, the stars of Baby Reindeer.

There’s been some widespread criticism of the compliance department at Netflix, given how easily the so-called armchair detectives found the real Martha. But unless you’re Marina Hyde or Richard Osman, who discussed this at length on their podcast, you’re likely to be Googling Gadd - as I was as soon as the final credits were rolling. 

It turns out he’s worked with charity We Are Survivors, who’ve reported an 80 per cent increase in calls for support, a statistic they’re linking to the show. Gadd is also no longer mining his horrific experiences - both his Fringe shows and this smash hit deal with what happened. He’s working on a new drama, Lions for the BBC. Baby Reindeer is a searing example of how art can reflect some of the worst aspects of human nature. It’s well worth a watch, but not one I’ll be repeating.

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