Obituary: Toots Hibbert, legendary Jamaican musician credited with coining the word ‘reggae’

Toots Hibbert, musician. Born: 8 December, 1942 in May Pen, Jamaica. Died: 11 September 2020 in Kingston, Jamaica, aged 77

Reggae legend Toots Hibbert has died at the age of 77. (Picture: Amy Harris/Invision/AP, File)
Reggae legend Toots Hibbert has died at the age of 77. (Picture: Amy Harris/Invision/AP, File)

Toots Hibbert, one of reggae’s founders and most beloved stars who gave the music its name and later helped make it an international movement through such classics as Pressure Drop, Monkey Man and Funky Kingston, has died at the age of 77.

A muscular ex-boxer, the frontmam of Toots & the Maytals was a band leader, songwriter, multi-instrumentalist and showman whose concerts sometimes ended with dozens of audience members dancing with him on stage. He was also, in the opinion of many, reggae’s greatest singer, so deeply spiritual he could transform “Do re mi fa so la ti do” into a hymn.

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Never as immersed in politics as his friend and great contemporary Bob Marley, Hibbert did invoke heavenly justice in Pressure Drop, preach peace in Revolution, righteousness in Bam Bam and scorn his 1960s drug arrest and imprisonment in 54-46 That’s My Number. He also captured, like few others, everyday life in Jamaica in the years following its independence from Britain in 1962, whether telling of wedding jitters (Sweet and Dandy) or of trying to pay the rent (Time Tough). One of his most popular and surprising songs was his reworking of John Denver’s nostalgic (Take Me Home) Country Roads, with the setting changed from West Virginia to a world Hibbert knew so well.

As with other reggae stars, Hibbert’s following soared after the release of the landmark 1972 film, The Harder They Come, which starred Jimmy Cliff as a poor Jamaican who moves to Kingston and dreams of a career in music. The Jamaican production was a word of mouth hit in the United States and the soundtrack, often ranked among the greatest in movie history, included Toots & the Maytals’ Pressure Drop and Sweet and Dandy.

Hibbert also appeared in the film, as himself, recording Sweet and Dandy in the studio while Cliff’s character looks on with awe.

Around the same time, the Maytals signed with Island Records and released the acclaimed album Funky Kingston, which the critic Lester Bangs called “the most exciting and diversified set of reggae tunes by a single artist yet released” (the album would eventually come out in two different versions).

By the mid-1970s, Keith Richards, John Lennon, Eric Clapton and countless other rock stars had become reggae fans and Hibbert would eventually record with some of them. A tribute album from 2004, the Grammy-winning True Love, included cameos by Richards, Bonnie Raitt, Ryan Adams and Jeff Beck. Hibbert also was the subject of a 2011 BBC documentary, Reggae Got Soul, with Clapton, Richards and Willie Nelson among the commentators.

A guest appearance on Saturday Night Live in the United States in 2004 brought Hibbert an unexpected admirer, the show’s guest host, Donald Trump, who in his book Think Like a Billionaire recalled hearing the Maytals rehearse: “My daughter Ivanka had told me how great they were, and she was right. The music relaxed me, and surprisingly, I was not nervous.”

The Maytals originally were a vocal trio featuring Hibbert, Henry “Raleigh” Gordon and Nathaniel “Jerry” Mathias, with the group later adding such instrumentalists as bassist Jackie Jackson and drummer Paul Douglas. They broke up in the early 1980s, but the following decade Hibbert began working with a new line-up of Maytals.

Hibbert’s career was halted in 2013 after he sustained a head injury from a vodka bottle thrown during a concert in Richmond, Virginia, and suffered from headaches and depression. But by the end of the decade he was performing again and in 2020 he released another album, Got To Be Tough, which included contributions from Ziggy Marley and Ringo Starr, whose son, Zak Starkey, served as co-producer.

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Grammy nominations for Hibbert included best reggae album of 2012 for Reggae Got Soul and best reggae album of 2007 for Light Your Light. Hibbert was ranked No. 71 on a Rolling Stone list, compiled in 2008, of the 100 greatest contemporary singers. In 2012, he received the Order of Distinction by the government of Jamaica for outstanding contribution to the country’s music.

Married to his wife, Doreen, for nearly 40 years, Hibbert had eight children, including the reggae performers Junior Hibbert and Leba Hibbert.

Frederick Nathaniel Hibbert (“Toots” was a childhood nickname) was born in May Pen, Parish of Clarendon. He was the son of Seventh-day Adventist ministers and would remember miles-long walks along dirt roads to schools, hours of singing in church and private moments listening to such American stars on the radio as Ray Charles and Elvis Presley.

By adolescence, his parents had died and he had moved to Trench Town in Kingston, where the local music scene was thriving, moving from street parties to recording studios and drawing such future stars as Bob Marley and Desmond Dekker.

He formed the Maytals, named for his hometown, with fellow singers Matthias and Gordon, started working with Jamaican record producer Coxsone Dodd and quickly became the star of the national festival competition that started in 1966.

The Maytals (eventually renamed Toots & the Maytals) won in the inaugural year with Bam Bam, prevailed in 1969 with Sweet and Dandy and 1972 with Pomp and Pride. Hibbert would joke that he thought it best to start skipping the festival because winning came so easily, although he returned in 2020 with the bright, inspirational Rise Up Jamaica.

The Maytals began when ska was the most popular music, continued to rise during the transition to the slowed down rocksteady and were at the very forefront of the faster, more danceable sound of the late 1960s. Their uptempo chant Do the Reggay is widely recognised as the song which gave reggae its name, even if the honour was unintended.

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“If a girl didn’t look so nice or she wasn’t dressed properly, we used to say she was streggay. I was playing one day and I don’t know why but I started singing: ‘Do the reggay, do the reggay’ – it just stuck,” he said in 2012. “I might have stuck with calling it streggay if I’d thought longer. That’d be something – everyone dancing to streggay music.”



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