Music review: RSNO - Verdi Requiem
RSNO: Verdi Requiem *****
Glasgow Royal Concert Hall
But that was just one part of the winning formula. Prieto’s supreme solo vocal quartet – soprano Evelina Dobračeva, mezzo soprano Elizabeth DeShong, tenor Egaras Montvidas and bass Hanno Müller-Brachmann – were a compelling front line, eschewing the operatic excesses that so often bloat this piece, achieving instead a satisfying balance between cohesive ensemble singing (monumental at times) and individual interaction. There was drama in their delivery, fiery and embracing, De-Shong’s molten lower mezzo register contributing to the most thrilling highlights.
With this to hand, and the RSNO in ultra-responsive form, the cool-headed Prieto moulded a performance that centred on acute sensitivity to the text, defined musical textures and pulsating, energetic thrill generated through the natural expressiveness and perceptive containment of Verdi’s opulent score.
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Hide AdThe opening Requiem, addressed with reverential simplicity, established a breathtaking mood; the Dies Irae used pinpoint rhythmic precision as its key driving factor; the Sanctus was a triumph of focused vitality. It was like viewing a reconditioned old master, cleaned up to reveal its original brilliance.