Orchestra Baobab/Carmen Souza ****
Glasgow Royal Concert Hall
They began with a song by co-founder Ndiouga Dieng, who died in November, sung by his son, Alpha, a stunning blend of impassioned, soaring lead vocals and muscular three-part harmonies over pulsing dub beats. Most of the set, however, transported the imagination directly to that sultry Dakar dancefloor, with an irresistible mélange of Latin, Caribbean and African flavours, as earthy as it was sophisticated. Alongside three vocalists, three guitarists interwove diverse chiming, shimmering timbres and traded masterly solos, while alto and baritone sax ran the gamut from sizzling to lyrical, as intricate, ebullient percussion work underpinned the whole.
Portugese-born, of Cape Verdean parentage, opening act Carmen Souza was another of those enchanting surprises that Celtic Connections consistently springs, combining a jazz virtuoso’s vocal technique and range with an array of Lusophone influences, from fado to samba, morna to bossa and much more besides, including a bittersweet, almost Celtic-sounding ballad and a frisky, sunny-hued “Cape Verdean blues” in tribute to the islands’ national drink.