Music review: BBC SSO/Matthias Pintscher
BBC Scottish Symphony Orchestra/Matthias Pintscher ****
City Halls, Glasgow
But what also united the three performances was Pintscher’s astonishingly sensual, full-blooded accounts, full of broad, sweeping gestures that drew immaculate playing from the orchestra. His conducting was so demonstrative, in fact, that his baton went flying right into the second violins near the start of the Neuwirth piece.
Neuwirth’s piece was the highlight of the evening, in fact – a dream-like, almost hallucinatory creation drawing on memories of her grandfather and his Austro-Hungarian heritage, as well as the expansive Danube, that in musical terms wove oom-pah brass bands and stratospheric gypsy fiddling into its dense orchestral tapestry. It was thoroughly entertaining stuff – not quite tongue-in-cheek, but self-aware all the same, and given a performance that crackled with conviction. Beforehand, Pintscher’s Ligeti was just as wonderfully tactile, although the Henze Symphony felt a bit four-square and straight-laced in comparison – despite its roof-raising climaxes. It was a gripping evening of discoveries nonetheless.