Assembly boss unveils year-round music venue plan

William Burdett-Coutts, the founder of Assembly Theatre. Picture: Lisa Ferguson

Assembly Theatre is planning a permanent transformation of a former church, on Bristo Place, near the National Museum of Scotland.

The company, which is celebrating its 35th anniversary at the Festival this month, snapped up the building three years ago, but has only used it during the Fringe so far.

A year-round fine-dining restaurant has just been opened up for the Fringe in the building, which is known as Assembly Checkpoint for the Fringe.

Assembly Theatre hopes to win backing from the council within the next few months to allow live music events to be staged outwith the Festival on the upper floor of the B-listed building.

Assembly Theatre founder William Burdett-Coutts said the site on Bristo Place – opposite Hotel du Vin and the Bedlam Theatre – would help meet a growing demand for high-quality music venues in the city centre. He said: “The shortage in Edinburgh at the moment really does seem to be space for music events. I keep getting approached by people who are looking for that kind of performance space, it just seems like the logical thing to do.

“I also feel that there is not enough live music during the Fringe, so if we could build up a year-round presence it would actually provide a good platform to showcase more music during the Festival.

“It’s a really lovely space upstairs and we think it would work really well. We completely sound-proofed the venue upstairs a couple of years ago, so that won’t be an issue at all.”

Dating back to 1900, the church was designed by architect Sydney Mitchell, who also worked on the Dean Village, Ramsay Garden and Craighouse Hospital.

Mr Burdett-Coutts also said he was aiming to capitalise on the changing face of Edinburgh University’s main campus site, where major refurbishments of both the McEwan Hall and Bristo Square are currently being carried out. The conversion of the building would be a major boost for Edinburgh’s live music scene, which has seen a number of key venues close in recent years, including the Venue on Calton Road, The Lot in the Grassmarket and the Picture House on Lothian Road. Arts venue Summerhall, one of the most prominent new additions to the Fringe in recent years, launched a series of new live music nights – entitled Nothing Ever Happens Here – earlier this year as a response to the issue.

Assembly bought over the former Roxy Art House, on Roxburgh Place, at the same time as the Bristo Place site after the charity which owned the two buildings suffered a financial collapse. Although it has staged some events outwith the Festival, it is unsuitable for music events due to the close proximity of residents and the lack of soundproofing.

‘The Fringe is a lonely place’

AN award-winning theatre-maker has warned Edinburgh Festival Fringe performers that taking part in the event can be a “lonely, isolating and damn alien place.”

Bryony Kimmings, speaking at the official opening address of the Fringe, said appearing for the first time in Edinburgh was like “doing the first day of school times one million, naked.”

However, she said Edinburgh was the only festival in the world where thousands of people were willing to help their fellow performers out.

Kimmings said Edinburgh had been so instrumental to her career that the Festival now runs through her veins. And she said she was “irked” at the view that the Fringe was a loss-making exercise for performers.