Remembering Scotland and the Eurovision Song Contest

From Lulu to Glasgow taxi driver Rikki Peebles and ballet sensation Moira Shearer, uncover Scotland’s connections to the Eurovision Song Contest with Fiona Davidson and Laurie Risk of Historic Environment Scotland.

The New Seekers, representing the United Kingdom, make their way to the Usher Hall for the Eurovision Contest in Edinburgh in 1972. Singer Eve Graham (second from right) hailed from Perth.
The New Seekers, representing the United Kingdom, make their way to the Usher Hall for the Eurovision Contest in Edinburgh in 1972. Singer Eve Graham (second from right) hailed from Perth.

Good evening Eurovision, this is Scotland calling!

In 1969, Glasgow born popstar Lulu represented the UK in the Eurovision Song Contest and was part of a four-way tie with France, Spain and The Netherlands. Her entry, Boom-bang-a-bang, became a huge hit across Europe.

But whilst Lulu is probably the most well-known, Scotland has more links with the annual singing competition than you might think.

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    Glasgow taxi driver Rikki Peebles represented Great Britain in 1987 with Only The Light. PIC: CC.

    Lulu wasn’t the first Scot to represent the UK. In 1966, at the height of the Swinging Sixties, Scottish tenor and traditional singer Kenneth McKellar was the UK entry for the Contest in Luxembourg.

    Although resplendent in a kilt, Kenneth’s song A Man without Love didn’t prove very groovy with juries. He came 9th – at a time when there were only 18 countries competing.

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    In 1967 the UK chalked up the first of its 5 Eurovision victories with Sandie Shaw performing Puppet on a String. The success of the song was in no small part due to its writer, Govan born Bill Martin.

    Ballet sensation Moira Shearer, from Dunfermline, hosted the 1972 contest in Edinburgh. PIC: CC.

    Martin also wrote the UK entry for the 1968 Contest, a little song you might know called Congratulations, performed by Cliff Richard.

    Bill Martin had other attempts at Eurovision glory, including writing the Luxembourg entry in 1975, but never achieved quite the same success.

    In 1972, Scotland had a starring role in Eurovision. Because Monaco, the winners of the previous year’s Contest, were unable to host, the BBC stepped in and arranged for the Contest to be held in Edinburgh instead.

    The Usher Hall, a beautiful concert hall constructed in 1914, with impressive acoustics and luxurious auditorium, was selected as the venue.

    Lulu represented Great Britain in the 1969 contest with her entry Boom Bang A Bang which then became a hit across Europe. PIC: Creative Commons.

    Dunfermline-born Moira Shearer, the internationally renowned ballet dancer and actress, most famous for her starring turn in The Red Shoes, was selected to host.

    The New Seekers were the UK entry for that year. Their line-up featured Perth-born singer Eve Graham. The group’s song, Beg, Steal or Borrow came 2nd in the Contest, becoming a huge hit in the charts.

    Of course, it wouldn’t be the Eurovision Song Contest without the voting, and because the Usher Hall wasn’t quite big enough to facilitate entries and the juries, the Great Hall of our own Edinburgh Castle was used instead.

    Two jurors from each country, including Glasgow’s Doreen Samuels for the UK, sat at tables with the Great Hall’s iconic armoured knights and weapons behind them.

    Traditional Scots singer Kenneth McKellar (left) became the first Scot to sing for the UK when he represented at the 1966 contest in Luxembourg. PIC: TSPL.

    The audience was entertained in the interval with a pre-recording of the 1968 Royal Edinburgh Military Tattoo, featuring the Castle esplanade. The voice of the Military Tattoo, Edinburgh’s Tom Fleming, was commentator on the BBC’s broadcast of the Contest.

    Scotland had links far and wide that year, with Glasgow born Richard Hill being musical conductor for the Portuguese entry.

    Fast forward to 1987, and Glasgow’s Richard Peebles (Rikki), complete with tartan plaid on his white shoulder-padded jacket, was the UK entry to Eurovision with Only the Light. He finished a disappointing 13th, the lowest placing for a UK entry at the time. Little did we know what was to come in later years…

    The following year, Glasgow born Scott Fitzgerald represented the UK with the song Go. This turned out to be one of the most exciting votes in Eurovision history. The UK had been out in front of the entry from Switzerland (performed by one Celine Dion) by 15 points but, after the final vote, ended up in 2nd place, losing by only 1 point!

    Scott was the last Scot to represent the UK at Eurovision – but not the last Scot to be at Eurovision. In 1996, Karen Matheson of Scottish band Capercaillie represented France as part of the group Dan ar Braz & L’Héritage des Celtes, singing in Breton.

    Scotland’s influence on Eurovision has since been in song writing. John Ballard from Drumchapel penned entries for Azerbaijan in 2013 and for Russia in 2014 and 2016, all of which finished in the Top 10.

    Songwriter Bill Martin, from Govan, wrote Sandie Shaw's Puppet on a String for the 1967 contest. He also wrote Congratulations, performed by Cliff Richard, for the following year's competition. PIC: Contributed.

    Lawrie Martin from Ayr co-wrote the 2017 UK entry Never Give Up On You for Lucie Jones. Meanwhile Scott Fitzgerald’s son Ki kept up the family Eurovision ties by writing Saara Aalto’s 2018 entry for Finland.

    Songwriter David Sneddon, Paisley born winner of BBC’s Fame Academy in 2002, penned the Greek entry Better Love, for the 2019 Contest.

    In 2020 Scotland did get the chance, in a way, to host the Eurovision Song Contest again. The Netflix film Eurovision Song Contest: The Story of Fire Saga, starring Will Ferrell and Rachel McAdams, features Edinburgh as host city for the Contest.

    The film takes you on a whistle-stop tour through Edinburgh’s Grassmarket, Albany Street, Prince’s Street Gardens, and includes an iconic shot of Edinburgh Castle from Calton Hill.

    Glasgow’s SSE Hydro auditorium features as the venue for the Contest finals, albeit transported to Edinburgh’s Old Town by the magic of CGI, as well as some scenes filmed at Glasgow Airport.

    The movie also uses the volcanic crags of Holyrood Park to stand in for Iceland. The Icelandic entrants, Lars and Sigrit, visit and pay tribute to the magical elves who live there in little wooden houses. Well, it wouldn’t be Eurovision without something a bit daft!

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