Theatre review: Winter Solstice
Using a powerful mix of Brechtian rehearsal-room distance and hyper-realistic social satire in the style of Ayckbourn or Mike Leigh, Winter Solstice follows the response of a well-off bourgeois German couple, Albert and Bettina, when Bettina’s mother Corinna arrives for Christmas with an elderly gentleman caller, a chap called Rudolph who combines a benign manner with some distinctly unpleasant views, notably about all shades of foreigners.
Albert, an expert in the history of Nazism, soon recognises Rudolph for what he is; but with his marriage in bitter adulterous tatters, and his mother-in-law besotted with the stranger, Albert is just too alone, politically and personally, to act effectively on his convictions.
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Hide AdThere’s something slightly too slick about this premise, in Alice Malin’s clever and eloquent production; it’s too easy to laugh at these “relatable” bourgeois types, too difficult to map the path we need, from cleverly-observed helplessness to worthwhile resistance.
There’s no faulting Malin’s fine cast, though; and with Felix Hayes in terrific form as the clever and compromised Albert, and Marian McLoughlin acting up a storm as the wickedly complicit Corinna, Winter Solstice makes for a riveting two hours of theatre, for those minded to look beyond its satirical surface to the troubling questions beneath.
JOYCE MCMILLAN
Final performances today