Theatre review: Three Sisters, The Tron, Glasgow
Three Sisters
The Tron, Glasgow
Star rating: * * * *
Set in a large Victorian house near Dunoon naval base in the early 1960’s, John Byrne’s fine new adaptation conjures up three central characters – Olive, Maddy, and the youngest, Renee – who find themselves exiled from their beloved home city of London when their father is posted north to command a Royal Navy submarine fleet. As the play opens, they are marking the first anniversary of their father’s death, which has left them stranded in what they see as a bleak foreign land, peopled by uncivilised folk.
Their attitudes veer between a touching idealism about the possibility of a better future, and a chilling, absolute snobbery that has all three convinced that a fulfilling life is only possible in the metropolis they have left behind; and so it’s perhaps not surprising that Byrne’s text, and Andy Arnold’s pitch-perfect production, extract more fun than any version I can remember from the fraught class politics of the three sisters’ relationship with their low-life sister-in-law Natasha, a classic exponent of flashy nouveau-riche Glasgow style played to comic perfection by Louise McCarthy.
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Hide AdThe key to Chekhov, though, lies in the art of giving full weight to both the comedy and the tragedy of the flawed human lives he portrays; and this fine new perspective on Chekhov’s drama is also profoundly moving, as we see these three women – by turns silly, thoughtless, decent, loving, hard-working and heart-broken – gradually facing up to the long litany of loss of which most human lives consist.
Andy Clark turns in a splendidly vigorous performance as McShane, the married submarine commander who could have transformed Maddy’s life, in different circumstances; Sylvester McCoy is touching and utterly convincing as the drunken old doctor, MacGilivery.
And at the centre stand the three sisters, auburn-haired, beautiful, fallible, and, in Renee’s case, faced with a truly life-darkening tragedy. Muireann Kelly, Sally Reid and Jessica Hardwick are three of Sotland’s finest actresses; and they play Chekhov’s great drama with an open-hearted, risk-taking courage he would surely have loved, in a rich, playful and memorable production that Edinburgh should rush to see, when it arrives at the King’s Theatre later this month.
Seen on 04.10.14