Theatre review: The Strange Undoing of Prudencia Hart
The Strange Undoing of Prudencia Hart | Rating: **** | Town Hall, St Andrews
Written by David Greig in fiercely witty rhyming couplets, and directed by Wils Wilson in a style that fits into bar-rooms and village halls from Banchory to Brazil, The Strange Undoing… tells the tale-with-songs of a young academic from Edinburgh who, one snowy night after a conference in Kelso, blunders into one of her own Border Ballads, and ends up spending several millennia in hell.
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Hide AdWith the audience tearing up napkins to make snow, we’re soon drawn into the story, as the blizzard takes hold, and the conference fades into heartless post-structuralist nonsense; but when Prudencia flees into the night – after an extended pub sequence, in what still seems a slightly overlong show – she finds something both more thrilling and much, much worse, in the Borders B&B from hell.
It’s at this point that the show begins to weave itself into a strange erotic game of imprisonment and self-liberation that taxes Wilson’s fine cast of five actor-singer-musicians to the hilt.
The company are well up to the challenge, though; and with the heartbreakingly beautiful, witty and compelling Jessica Hardwick as Prudencia, they whip the show along to its fantastically rousing conclusion, where Kylie merges with ceilidh to create a fierce celebration of post-modern culture, completely of its time, and yet enduringly irresistible.
This week in Aberfeldy, Kirriemuir, Carnoustie, Broughty Ferry and Dundee; and on tour across Scotland until 11 June.