Review: Installation - The Enchanted Forest, The Explorers Garden, Pitlochry
Enchanted Forest is a sound-and-light event, staged in the dark autumn evenings. This year’s show – entitled Transitions, and created by lighting designer Simon Wilkinson and composer/sound designer RJ McConnell – leads us gently around the whole length of the hillside, inviting us to look again at the shapes, the grandeur, the exquisite detail of the trees around us, lit by sweeping laser arcs, or by quiet swaths of unexpected colour, from blood-red to deep turquoise. The centrepiece of the event is a majestic, often moving ten-minute son-et-lumiere display staged in the deep gorge around the burn that runs through the garden.
There are also smaller installations, including a “sound harp” that allows children to trigger sounds among the trees by brushing their hands over a photo-cell.
To my mind, the show is slightly confused in its mood and approach: it markets itself as family fun, attracts huge numbers of young children, and seems to encourage its adult audience members to view the whole event through a lens, as a kind of family photo opportunity; yet at its best, it actually meets a relatively inward and adult need to contemplate, and re-connect with, the magnificent complexity and grandeur of the natural world around us.
“D’you want your picture taken on that big pine cone, Samantha?” said a Glasgow Dad to a little three-year-old, as I passed. “No,” she replied firmly. “What’re you like?” said Dad. It’s a question that this show leaves unanswered: what children are really like, and where their tastes truly coincide with those of the grown-ups, many of whom might gain more from this experience if they had the privilege of visiting alone.