Music review: Cyrille Aimée Duo, Dundee
Cyrille Aimée Duo
Gardyne Theatre, Dundee
****
It was clear from the off that Aimée is a unique new addition to the jazz singing scene. The voice is gentle, beguiling, soft-edged and infused with an uplifting quality on many of the songs, and she revealed a great set of scatting chops – most sensationally on the piece de la resistance vocalese version of Thelonious Monk’s Straight No Chaser towards the end of her set.
That number was a surprise even though Aimée had already demonstrated that hers is a repertoire that can’t be second-guessed: everything from Serge Gainsbourg to Antonio Carlos Jobim, via Edith Piaf (whose T’es beau, tu sais offered the first opportunity of the evening to hear the New York-based vocalist sing in her own language).
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Hide AdIndeed, with her petite physique and expressive hands, Aimée was a bit like Piaf – a happy Piaf – though, unlike the Little Sparrow, her hands were often used to simulate slide trombone solos when she scatted. She also demonstrated a knack for reimagining even the most familiar of songs.
It was a wonderful debut but met with a rather reserved response from the crowd which, it turned out, was saving its clapping strength for Rose Room, the Hot Club-inspired Scottish quartet which made its mark at a previous edition of the jazz festival.
Seen on 19.11.14