Gig review: King Crimson, Usher Hall, Edinburgh
King Crimson
Usher Hall, Edinburgh
Rating: ****
Longtime singer Adrian Belew is absent, with vocals now handled by guitarist Jakko Jakszyk, but woodwind ace Mel Collins has returned and took his place in the prog orchestral set-up beside charismatic bassist Tony Levin and the phlegmatic Fripp behind a frontline triumvirate of drummers. When Pat Mastelloto, Bill Rieflin and Gavin Harrison flexed their muscles, there was nothing to be done, except submit.
The rigour of the playing contrasted with the free structure of much of the music, making the first half of the show slippery for the Crimson rookie to handle – though, in fact, the setlist was as close to a greatest hits array as a band with no actual hits could muster and the opening bars of Epitaph and Easy Money were greeted with satisfied exhalations in the audience.
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Hide AdHowever, they saved the big guns for a heavy-duty encore of prog-rock archetype The Court of the Crimson King and a truly mighty 21st Century Schizoid Man powered by headbanging riffola, wailing sax, impassioned vocals and an intense drum solo from Harrison.