Dance review: Rosie Kay Dance Company
Beacon Arts Centre, Greenock ***
Double Points: K was first seen in Scotland at the Fringe in 2008, performed by Kay herself. But the piece started life in the hands of Italian Emio Greco, a unique and special dancer few can emulate. So for those, like myself, who saw Greco perform Double Points: two, those taking on Kay’s re-worked version have much to live up to.
Pushing that aside, dancers Oliver Russell and Shelley Eva Haden attack the choreography with a compelling intensity. Leg muscles work overtime on demi-pointe, arms sweep round like helicopter blades, and the atmospheric lighting gives the piece an almost science fiction feel.
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Hide AdBut if Russell and Haden are put to excellent use in Double Points: K, they are entirely wasted in Motel. Inspired by artist duo Huntley Muir’s series of motel room paintings, this highly sexual work has neither an emotional heart nor engaging choreography, leaving the audience at a loss as to what to grip on to. Kay has proved herself many times to be a talent worth watching – but sadly not on this occasion.
KELLY APTER