Theatre review: Be Festival Showcase, Edinburgh

Out Of Balanz closed the show with irresistable charm
Out Of Balanz closed the show with irresistable charm
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THE theatre programme at Edinburgh’s brilliant new arts lab, Summerhall, has been going from strength to strength this autumn; and on Tuesday, for one night only, the big Dissection Room seemed the ideal Edinburgh venue for this year’s touring triple-bill of shows from Birmingham’s annual summer celebration of European theatre.

Be Festival Showcase - Summerhall, Edinburgh

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The evening began with a delicious piece of physical theatre called Al Cubo from Betti Combo of France, a seductive mixture of clowning, acrobatics and dance involving two men, one glorious female pole-acrobat called Ilaria Senter, and 21 plastic buckets. The struggle with life’s absurdities conjured up in Al Cubo, though, is lightweight stuff compared with the ferocious fight for survival evoked in Hungarian choreographer Ferenc Feher’s ferocious piece for two dancers, Tao Te. Performed by Feher and Balazs Szitas, in dark jackets and flaring red kilts, this fierce 40 minutes of movement and sound seems to explore a whole range of masculinities, from battlefield comradeship to the stylised movements of boxers, in a blisteringly original piece of dance theatre.

And then finally, there’s Out Of Balanz of Denmark’s Next Door, a delightful piece about how the death of an elderly neighbour triggers a flood of childhood memories of the Copenhagen area where writer-performer Ivan Hansen grew up. There’s something slightly soft-edged about this show’s illustrated narrative style, which allows Ivan and his Finnish friend Pekka to spend a lot of time playing make-believe like messy little boys. The show makes its point with some force, though, particularly in a beautiful closing sequence; and its mood is so genial that, in the end, its charm is irresistible.