Music review: Roddy Frame, Kelvingrove Bandstand, Glasgow

In BBC Scotland's recent history of Scottish pop, Rip It Up, Roddy Frame was an odd omission, given he can claim over 30 years as a cult singer songwriter and a clutch of proper big hits in his '˜80s Aztec Camera days. Perhaps it was down to Frame's long exile, or just his laid-back schedule these days, but certainly his sporadic live shows have become a solid fixture in Glasgow at least. Frame was the first act to play the now fire-ravaged ABC O2 venue and on Saturday he became the 50th to play the rejuvenated Kelvingrove Bandstand, closing this year's Summer Sessions.
Roddy FrameRoddy Frame
Roddy Frame

Roddy Frame, Kelvingrove Bandstand, Glasgow ****

Saying he reliably puts on a good show sounds like faint praise, but it’s always a surprise to see how this slight figure can completely command an audience with charming banter (and Billy Sloan jokes), wicked guitar-playing and songs ranging from the tenderly wispy to the sing-along banger. As well as the expected favourites, he debuted a new song, Twilight, which though presumably not inspired by the vampire novel told a tale of destructive love over a deceptively gentle tune.

His gorgeous cover of Inside Out by Jesse Rae – who did feature in Rip It Up – and snatches of other songs, leading to an impromptu crowd version of If You Leave Me Now, highlighted his influences. But Frame’s own classics, the #MeToo-presaging How Men Are, joyful Oblivious and the yearning Killermont Street, closed another strong show as he cheerfully signed off with “See you in another few years”.

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