Roger Cox

Patagonia’s needlework ninjas to teach westuit repair 101 in Dunbar

Like most surfers, I’ve never given much thought to the environmental impact of my wetsuit, but it turns out that the thing that allows me to bob around in the North Sea for hours on end without getting all purple and hypothermic is in fact a climate calamity. Hub Hubbard, wetsuit development manager for the eco-conscious California-based outdoor gear company Patagonia explains: “Most wetsuits are made from neoprene,” he says, “and neoprene is made from either petroleum or limestone – using coal – so right there you’re talking about drilling or mining and, as you might imagine, using those ingredients to make anything is not going to be a very clean process.”

Michigan surfer Dan Schetter looking for waves a still from Surfer Dan

Ocean Film Festival to introduce Michigan ice surfer to Edinburgh

The Ocean Film Festival World Tour washes into Edinburgh later this month, offering a tasting menu of short films concerning the life aquatic. Highlights include Manry at Sea, a documentary about US newspaperman Robert Manry’s bold 1965 attempt to cross the Atlantic in a tiny, 13-and-a-half foot sailing boat called Tinkerbelle; I Am Fragile, in which filmmaker Florian Ledoux trains his lens on the landscape and wildlife of north-eastern Canada and western Greenland; and A Peace Within, which follows “extreme artist” Philip Gray as he attempts to execute an underwater painting in subterranean pools in Mexico – pools, incidentally, which some locals still believe are gateways to the afterlife.

Sherman Poppen, inventor of the Snurfer

Why snowboarders owe a debt to Sherman Poppen – and his Snurfing daughter Wendy

Christmas morning 1965 was hard work for Sherman and Nancy Poppen of Muskegon, Michigan. Nancy was due to give birth to their third child in a matter of days and was feeling unwell, and as a snowstorm raged outside their two daughters, Wendy, 10, and Laurie, five, were, as Laurie later described it, “bouncing off the walls.” Having been instructed by his wife to get the girls out of the house and into the snow, Poppen first tried to get them sledging, but the layer of snow on the sand dunes near their home was too thin and their sledge didn’t work as the runners kept sinking into the sand. Then he had an idea. Taking a pair of Wendy’s skis, he nailed them together using small wooded battens at the tips and the tails, creating a single board that could be ridden sideways like a surfboard and could float over the surface of the snow. It worked. “We just went crazy,” Wendy recalled in a recent interview. “We were taking turns sliding, laughing.”

Detail from Casting the Nets by Moonlight, by Colin Ross - just one of the many artists exhibiting work at this year's Pittenweem Arts Festival

Welcome to Pittenweem, home to Scotland’s saltiest arts festival

If it took place at any other time of year, the Pittenweem Arts Festival would be huge. Massive. It would have big bucks sponsorship and a national and international profile. It would be the kind of event that Visit Scotland would spend a small fortune promoting to prospective cultural tourists. By stubbornly continuing to share a start date with the World’s Biggest Arts Festival™ down the road in Edinburgh, however, it seems destined to remain a little bit off the radar – which, you suspect, may be just how regular attendees like it.

Arts and culture
Merryn Glover - inventor of the Cairngorms Lyric

Forget haiku - Cairngorm Mountains inspire new type of poem

Merryn Glover, author, poet and educator, is sitting in a cafe in Edinburgh’s New Town, telling me about “The Cairngorms Lyric” – a new poetic form she’s devised in her role as writer in residence for the Cairngorms National Park.“Initially it came from the idea of a haiku,” she says, “and what Allen Ginsberg did with that, the American Sentence, which he thought was more fitting for American culture. [The American Sentence was a single sentence of 17 syllables.] “I thought, ‘Why can’t we come up with a poetic form that’s unique to the Cairngorms?’ So the idea of the Cairngorms Lyric emerged.”

A nine-foot, 400lb porbeagle shark similar to the one caught off the Fife Coast in May PIC: Jerryrogers/Bournemouth News/Shutterstock

Number crunching: what are the odds of a shark attack in Scotland?

Shark fear: every surfer has experienced it at some point, and the ones that tell you they haven’t are lying. Even though the chances of being killed by a shark are vanishingly small (one in 3,748,067, apparently, compared to a sobering one in 79,746 chance of death by lightning strike) there’s something about the idea of being suddenly dragged off your board by an enormous, dead-eyed killing machine that makes the blood run a little chilly.

The Lecht on 2 February 2019. Scotland's smallest ski resort, at least, had a reasonably good season PIC: Jasperimage

The Scottish ski industry’s second-worst winter on record: what went right?

By rights, the 2018-19 Scottish ski season should have been an unmitigated disaster. Not only did the hills stubbornly refuse to turn white for much of the winter, the funicular railway at CairnGorm was out of action all the way through, effectively preventing skiers from gaining access to the resort’s highest, snowiest slopes. If you’d predicted, at any time between December and April, that this was going to be the worst Scottish ski season on record, you probably wouldn’t have seen many raised eyebrows.

Iona McLachlan plans to run most of her surfing lessons in the beginner-friendly waves of Dunnet Bay

Scottish surfing champ Iona McLachlan on her plans for a north coast surf school

For a few golden years from 2006 to 2011, the town of Thurso played host to a professional surfing contest sponsored by surfwear giant O’Neill, known first as the Highland Open and later as the Coldwater Classic. During this period, some of the best surfers in the world visited Caithness to compete in the thumping waves of Thurso East and Brims Ness, from veterans like 2000 world surfing champion Sunny Garcia to new kids on the block like John John Florence – a hotly-tipped youngster when he first visited Thurso who went on to win back to back world titles in 2016 and 2017.

Tignes, open for summer skiing from 22 June until 4 August

The best summer ski destinations: Zermatt, Tignes, Hintertux, Glencoe...

Only a very brave man or woman would ever declare an official end to the Scottish ski season. Long after the resorts have closed, you can be pretty sure that there will still be a few hardcore backcountry enthusiasts out charging steep, narrow gullies on some inaccessible north face, where a few patches of snow are clinging stubbornly on. And, of course, there’s always the novelty of the Midsummer Slide at Glencoe Mountain ski area, which resort owner Andy Meldrum says will be going ahead as usual next month “as long as there’s a decent-size patch of snow left to ski on.” This year, however, there’s been a lot less white stuff than usual, so the gully hounds who might typically have spent much of May and even early June seeking out still-skiable lines around the Highlands face a stark choice: either pack away the ski gear until the start of the 2019/20 season or look elsewhere for those super-late-season turns.

Cover of The Sea Journal, by Huw Lewis-Jones

Seafarers’ Sketchbooks: historic journals capture drama of life on the ocean wave

For as long as humans have been adventuring, it seems, we have had an innate desire to communicate our experiences to others when we return home. “We would not take a sea voyage in order never to talk of it,” wrote the French mathematician and scientist Blaise Pascal in 1669, “and for the sole pleasure of seeing without hope of ever communicating.” These days, of course, there’s a whole chunk of the tech industry which caters to modern-day adventures wishing to share their exploits with the world: from gadgets like GoPro cameras and selfie sticks right through to platforms like Facebook, Twitter, and Instagram, the denizens of Silicon Valley are labouring night and day to ensure that no heroic gap year bungee jump need ever go unrecorded again. In the past, however, men and women journeying to far-off lands had to resort to simpler means to record the things they saw, thought and felt, and in many cases the medium they chose was the humble notebook or sketchbook: portable, more-or-less indestructible (as long as you’re able to keep it dry) and infinitely adaptable. And as demonstrated by The Sea Journal: Seafarers’ Sketchbooks, a new book by Huw Lewis-Jones, paper and ink has another significant advantage over the tech toys of today: it encourages the user to concentrate on the things they see around them, rather than constantly putting themselves at the centre of the story.

Dunbar Surf Life Saving Club - just one of the organisations which will benefit from the new centre at Belhaven

Scottish surfing makes its mark with state-of-the-art ‘huts’ near its finest waves

Surfing, famously, is a sport that leaves no trace. In 10,000 years’ time, when archaeologists from another galaxy land on our planet and start looking for signs of what went wrong with human civilisation, it’s entirely possible that they will discover the crumbling remains of mighty football stadiums in cities all over the world, but they’d be doing well to find much physical evidence of surfing.

Skiers at the start gate of the 2019 Coe Cup, including the eventual winner of the male ski category, Rob Kingsland (yellow jacket)

Coe Cup 2019: A battle of different skiing styles

It’s been a patchy year, to put it mildly, for the Scottish Freedom Series, Scotland’s competitive backcountry skiing and snowboarding circuit. The first two events of the season, at the Ben Lawers Range in February and at Nevis Range at the start of March, had to be cancelled due to lack of snow, and for a while it seemed as if the third and final stop on the tour, the Coe Cup at Glencoe, might go the same way. In the end, though, Mother Nature offered a miraculous little weather window on Saturday, sandwiched in between a whiteout on Friday afternoon and gale force winds on Sunday.

Things are looking up in the west: a pisting machine at Glencoe following the recent heavy snow. PIC: Glencoe Mountain

Scotland’s ski resorts gear up for a strong end to the season

For much of the northern hemisphere, this winter has been a veritable snowpocalypse. In North America, snowfall records have been tumbling from sea to shining sea. At the Whistler Blackcomb ski resort in British Columbia, the season got off to a dream start with 384cm of fresh snow in December – just a shade over the long-standing December record of 380cm, set all the way back in 1994. There were huge numbers recorded at resorts all the way down the Rocky Mountain chain and in the Sierra Nevada too, notably at Squaw Valley in California, which was hammered by a record-breaking 800cm of snow in February. Even the usually fickle east coast resorts have had a good year, thanks to the polar vortex conditions that paralysed much of the Midwest in late January and early February.

Tideline Feathers by Angie Lewin

From Picasso to Jarman: new book lifts the lid on the endless appeal of pebbles

What is it about pebbles that some people find so fascinating? For the poet Hugh MacDiarmid, their appeal seemed to lie in their connection to the infinite, or, at least, the as-good-as-infinite vastness of geological time: “We must be humble,” he wrote in his famous long poem “On a Raised Beach”. “We are so easily baffled by appearances / And do not realise that these stones are one with the stars.”

A still from Ode to Muir PIC: Teton Gravity Research

Ode to Muir: US snowboard legend Jeremy Jones tips his hat to Dunbar’s lad o’pairts

It took me a while, but this week I finally got round to watching Ode to Muir, the latest film from big mountain snowboarding legend Jeremy Jones, released last autumn. As the title suggests, the project is inspired by the writings of John Muir, the lad o’ pairts from Dunbar who, after his family emigrated to the USA in 1849, first fell in love with the wilderness of the Sierra Nevada and then devoted his life to trying to protect it. Footage of heart-in-mouth snowboard descents interspersed with some of Muir’s most memorable quotes – what’s not to like?

The �26 million funicular railway at the CairnGorm Mountain ski centre is currently out of action. Work is required to strengthen the foundations.

Should the troubled CairnGorm Mountain ski area be allowed to return to nature?

There are quotes that don’t age well, and then there are quotes that sounded a bit iffy to begin with and which a few years later, with the benefit of hindsight, come to seem downright delusional. Back in 2014, shortly after the luxury self-catering company Natural Retreats took over the running of the CairnGorm Mountain ski area near Aviemore, they put out a spectacularly ambitious-sounding press release. In it, the company’s CEO, Matthew Spence, claimed that they were going to build “the best terrain park in the world” at CairnGorm, and that their long-term goal was for the resort to host the Winter X Games. Spence also promised not only to “nurture, develop and create future Olympians at CairnGorm” (which he could probably have got away with for a decade or two) but also assured the world that “these athletes will win gold medals at the Winter Olympics in 2018”.

"I guess the greatest days are where you're just getting to the limit of your comfort zone." PIC: Philip Ebert

Comfort Zones: new film offers a philosophical take on extreme skiing in Scotland

Your typical backcountry ski film usually contains a number of key ingredients. Firstly and most obviously, it must feature high-level, heart-in-mouth skiing: big, gut-wrenching drops must be landed; sketchy entries into steep, narrow couloirs must be stuck; and high-velocity turns must throw buckets of feather-light powder snow into pristine blue skies. Secondly, there should be an element of terrain porn: in addition to close-ups of the talent, there should also be a few pull-back shots showing the riders in question as tiny specks flying down vast, intimidating sections of mountainside. There should be atmospheric musical accompaniment for the action sequences, of course, perhaps a bit of chat from the stars, and last but by no means least, there must always, always be a crash reel at the end. As the old saying goes, if you’re not falling you’re not trying, and nothing puts all those perfect descents into perspective quite like seeing a few proper, full-on wipe-outs – ideally of the kind that North Americans describe as a “yard sale” as skis, poles and sundry other bits of kit are sent flying all over the mountainside.

Katie Small, on her way to winning the Lawers of Gravity freeride contest in 2016.

“The atmosphere’s brilliant” - freeride ski champ Katie Small on the appeal of the Scottish Freedom Series

By my count the Scottish Freedom Series turns five this year, so on Saturday, as the nation’s best backcountry skiers and snowboarders prepare to take turns launching themselves down a gnarly slab of unpisted mountainside somewhere on the north shore of Loch Tay for the 2019 Lawers of Gravity event, they will also be preparing to launch the fifth season of the SFS. True, Scotland’s first ever freeride ski and board contest, the Coe Cup, was held on Glencoe’s fearsome Flypaper way back in 2012, so you could argue that the SFS was really born then. However, the first time there was a proper series with multiple events was 2014, when there were contests at CairnGorm, Nevis Range and Glenshee as well as Glencoe. The series also ran in 2015 and 2016, it took a year off in 2017, when the Canadians stole all our snow, but it was back with a vengeance in 2018, as the Beast From the East dished up stellar conditions for the tail-end of the season.

Dr Adam Watson in 2012 near his home in Crathes, Abderdeenshire. PIC: Robert Perry for The Scotsman

Scotland is poorer for the passing of Dr Adam Watson, but his wonderful writing lives on

Scotland’s mountain-going community was united in sadness at the end of last month, following the death of the great ecologist and mountaineer Dr Adam Watson, who passed away after a short illness at the age of 89. The writer and broadcaster Cameron McNeish described him as “a giant in wildlife and landscape conservation” and a spokesman for RSPB Scotland hailed him as “arguably the most knowledgeable Scottish naturalist and ornithologist of the last century.” His friend and fellow snow patch researcher Iain Cameron said he was “an irreplaceable man to his family, and to Scottish science.”

Load more