For in their five years alone together - apart from night-time visits from Old Nick, Ma’s dungaree-wearing captor - Jack and his Ma have created a whole imaginative world together, with its own creation myths and legends, and moral structures; Jack came from heaven to make his mother happy, the bath, rug, chair and wardrobe are Jack’s friends, while Old Nick most definitely is not. In Lily Arnold’s superb set - with lighting by David Plater and video images by Andrzej Goulding - the room whirls and swirls on a dark stage, its walls sometimes close and confining, sometimes made transparent by the sheer power of imagination. And Kathryn Joseph’s songs, co-written with Cora Bissett, burst from the texture of the play like some heightened form of speech, created under the pressure of the situation; not only during the confinement of the show’s first half, but afterwards, when Jack and Ma lose the room-world they have made together, and have, somehow, to find another.
Co-produced by the Theatre Royal Stratford East and the Abbey Theatre Dublin, in association with the National Theatre of Scotland and others, Room is shaped and driven by a superb central performance from Witney White as Ma, and a trio of wonderful boys as Little Jack. On Tuesday night at Dundee, Taye Kassim Junaid-Evans’s performance was beautiful, heartbreaking, completely compelling; and Fela Lufadeju sings magnificently as Big Jack, a gentle presence looking back on their imprisonment. The story of Room is in some ways a harrowing one, that brings many in the audience to tears. Yet it is also a tremendously beautiful, vivid and uplifting show about the power of a mother’s love; to create a whole world for her child, to save his life and her own, and eventually - not without huge difficulty and pain - to bring then both through, into a brand new life.
*Dundee Rep until 17 June; and Abbey Theatre, Dublin, 24 June until 22 July