Dance, Physical Theatre & Circus Review: The Chosen, Dance Base - Studio, Edinburgh

Death isn’t an easy subject for any of us, our own or someone else’s.
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Having been blighted by four bereavements in quick succession, choreography Kally Lloyd Jones took her grief and poured it into a new work. et there’s nothing about The Chosen that feels personal or specific – that’s the beauty of abstract dance, it’s whatever we want it to be.

Lloyd Jones and the dancers had lengthy conversations about both life and death during the creative process; how we approach the inevitable end, watch others go before us, and best use the time we have. As a result, this hour-long blend of poignant yet energetic contemporary dance is ripe for sharing.

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The show opens with six performers perched on a row of mirrored cubes, starring into space. A beating heart echoes around the room, a reminder of the life-force we all carry, but will one day lose. When this is replaced by the sound of waves rushing to shore then pulling away again, the dancers do likewise – journeying towards the audience and back, advancing further each time.

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There are so many layers to this show, it would take pages to document every reflection on life and death it conveys – largely because it will be different for each person watching.

A tableaux of friends smile for the camera, then one is selected by the spotlight; boxes are carried on shoulders like coffins; dancers move in fast-forward motion. Everything can be apportioned a meaning, whether it’s the loss of a loved one, the ritual of a funeral or the sense that time is slipping away so fast.

More than once I found myself in tears at the thoughts and feelings evoked by the movement and its touching execution (although Lloyd Jones’s beautiful operatic choices didn’t help).

Until 25 August. Today 5pm.****

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