LEWIS Grassic Gibbon was the pseudonym of the Scottish writer James Leslie Mitchell (1901–35). Sunset Song was the first volume in his Scots Quair trilogy, following the fortunes of Chris Guthrie, a woman torn between attachment to her Scottish peasant roots and a desire to expand her mind and explore the world away from the Highlands.
In this passage, the village minister speaks at the unveiling of a memorial to Ewan Tavendale, Chris’s husband, killed with three comrades in the First World War.
In the sunset of an age and an epoch we may write that for epitaph of the men who were of it. They went quiet and brave from the lands they loved, though seldom of that love might they speak, it was not in them to tell in words of the earth that moved and lived and abided, their life and enduring love. And who knows at the last what memories of it were with them, the springs and the winters of this land and all the sounds and scents of it that had once been theirs, deep, and a passion of their blood and spirit, those four who died in France? With them we may say there died a thing older than themselves, these were the Last of the Peasants, the last of the Old Scots folk. A new generation comes up that will know them not, except as a memory in a song, they pass with the things that seemed good to them, with loves and desires that grow dim and alien in the days to be. It was the old Scotland that perished then, and we may believe that never again will the old speech and the old songs, the old curses and the old benedictions, rise but with alien effort to our lips. The last of the peasants, those four that you knew, took that with them to the darkness and the quietness of the places where they sleep. And the land changes, their parks and their steadings are a desolation where the sheep are pastured, we are told that great machines come soon to till the land, and the great herds come to feed on it, the crofter is gone, the man with the house and the steading of his own and the land closer to his heart than the flesh of his body. Nothing, it has been said, is true but change, nothing abides, and here in Kinraddie where we watch the building of those little prides and those little fortunes on the ruins of the little farms we must give heed that these also do not abide, that a new spirit shall come to the land with the greater herd and the great machines. For greed of place and possession and great estate those four had little heed, the kindness of friends and the warmth of toil and the peace of rest – they asked no more from God or man, and no less would they endure. So, lest we shame them, let us believe that the new oppressions and foolish greeds are no more than mists that pass. They died for a world that is past, these men, but they did not die for this that we seem to inherit.
Beyond it and us there shines a greater hope and a newer world, undreamt when these four died. But need we doubt which side the battle they would range themselves did they live today, need we doubt the answer they cry to us even now, the four of them, from the places of the sunset?
And then, as folk stood dumbfounded, this was just sheer politics, plain what he meant, the Highlandman McIvor tuned up his pipes and began to step slow round the stone circle by Blawearie Loch, slow and quiet, and folk watched him, the dark was near, it lifted your hair and was eerie and uncanny, the ‘Flowers of the Forest’ as he played it . . .
It rose and rose and wept and cried, that crying for the men that fell in battle, and there was Kirsty Strachan weeping quietly and others with her, and the young ploughmen they stood with glum, white faces, they’d no understanding or caring, it was something that vexed and tore at them, it belonged to times they had no knowing of.
He fair could play, the piper, he tore at your heart marching there with the tune leaping up the moor and echoing across the loch. Folk said that Chris Tavendale alone shed never a tear, she stood quiet, holding her boy by the hand, looking down on Blawearie’s fields till the playing was over. And syne folk saw that the dark had come and began to stream down the hill, leaving her there, some were uncertain and looked them back. But they saw the minister was standing behind her, waiting for her, they’d the last of the light with them up there, and maybe they didn’t need it or heed it, you can do without the day if you’ve a lamp quiet-lighted and kind in your heart.