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Posters for the film 'The Great Gatsby' outside the Carlton Hotel, Cannes. Picture: Reuters

Cannes: Gatsby takes lead at opulent film festival

BRITAIN is out of the running for the Palme D’Or at Cannes, but there’s a strong showing elsewhere, and the prominence of the opulent Great Gatsby seems somehow apposite, writes Stephen Applebaum

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Zoe Lescaze and Ty Hickson in Gimme the Loot. Picture: Contributed

Film reviews: Fast & Furious 6 | A Hijacking | The Liability

ALISTAIR Harkness reviews the week’s cinema releases.

Obersee, Germany, July 1868 by Frederic Church. Picture: Contributed

Art review: Frederic Church, Edinburgh

WE aren’t too familiar with early American painting, and the tradition of touring huge canvases has died out, but this collection brings both together, showing how the emerging nation was learning to describe and define itself

Epic new kids’ film packs big ideas into small tale

AS an online petition objecting to Disney’s misguided revamp of Brave’s Princess Merida picks up signatures by the thousand (if you haven’t seen it, Merida is now slimmer, she’s wearing make-up, her neck-line is lowered and instead of a bow and arrow she has sparkles on her dress), I confess I feel heartened at the first images of the heroine of the new animated feature, Epic.

Mary Ann Kennedy, musician and broadcaster. Picture: Contributed

Bringing Commonwealth Gaelic diaspora home for 2014

SAIL a westbound ferry boldly beyond its habitual port of call, tramp the age-old cattle route of a drove road past its market destination then keep going, and you have emigration.

Alistair Harkness rss

Carey Mulligan and Leonardo DiCaprio in The Great Gatsby. Picture: Warner Bros

Film review: The Great Gatsby

COMPOSED like a fashion shoot, Baz Luhrmann’s Gatsby is so full of spectacle that it risks missing the point of Fitzgerald’s story.

Star Trek: Into Darkness director JJ Abrams. Picture: Getty

JJ Abrams on controlling Star Wars and Star Trek

AS Star Trek Into Darkness beams into cinemas, director JJ Abrams - also the man helming Star Wars VII – tells Alistair Harkness what it’s like to be master of two universes

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Matthew McConaughey in Mud. Picture: Contributed

Film review: Mud

BARELY a month seems to go by at the moment without Matthew McConaughey delivering a brilliant and surprising performance.

Mads Mikkelsen as Hannibal Lecter in the new TV adaptation. Picture: NBC

Arts blog: Hannibal taking bite out of cinema | Twitter plays

ALISTAIR Harkness finds further evidence that American TV is outperforming the US film industry, while Andrew Eaton-Lewis discusses the art of creating a drama in 140 characters.

I'm so excited. Picture: Contributed

Film review: I’m so excited

PEDRO Almodóvar’s latest begins with a disclaimer that what we’re about to see is a fantasy and bears no relation to reality.

Fiona Shepherd rss

The Pastels. Picture: Contributed

Pastels making anxious return to Glasgow spotlight

IT has been 16 years since The Pastels last released an album of their own. This seems hard to credit, even for a man who talks as slowly and carefully as frontman Stephen McRobbie, aka Stephen Pastel, aka the benevolent godfather of Glasgow’s still-thriving independent music scene (a title he will certainly not thank me for bestowing).

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Iggy and the Stooges, whose new album comes out this week. Picture: Contributed

Album review: Iggy & the Stooges: Ready to Die

THE way The Stooges carried on in the late 1960s and early 70s, living and performing on the edge, it’s a wonder there weren’t more premature fatalities.

Joyce McMillan rss

Theatre review: Ghost, Edinburgh

IT’S probably no concidence that the story of Ghost – a smash-hit film, and now a mighty blockbuster musical – dates from the same period as Tony Kushner’s great millennial fantasy, Angels In America.

A scene from Marco Pantani: The Pirate. Picture: TSPL

Theatre reviews: As It Is | Marco Pantani: The Pirate

THIS week the Tron offers two memorable personal journeys set against the background of war. In Edinburgh, meanwhile, don’t miss Lee Hall’s powerful tale of working class artists.

A still from The Intergalactic Nemesis. Picture: Contributed

Theatre reviews: Mise - Story of a Girl | The Intergalactic Nemesis

SOME CALL it “post-human” theatre, the shift towards making objects and images stand where human beings once did.

Stewart Porter in Hector MacMillan's The Sash . Picture: submitted

Theatre review: The Sash

SECTARIANISM in Scotland: it’s a long story, not over yet. And if theatre is an artform made to allow communities to act out their deepest conflicts and tensions in a safe space, then there is no richer subject for Scottish drama than the nexus of half-remembered history, fading faith and fierce tribal identity that hangs around the old division between Catholics and Protestants.

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Poke. Picture: Contributed

Theatre reviews: Secrets | Poke | Wuthering Heights

NOT many people know this, least of all in Scotland itself; but nonetheless, there are probably now few countries on earth where the quest for the new, in the next generation of theatre, is pursued more intensely or in a wider range of ways than in Edinburgh, Glasgow and beyond.

Duncan Macmillan rss

Flatlands, by David Batchelor. Picture: Ruth Clark

Art reviews: David Batchelor | Garry Fabian Miller

MANY years ago the American abstract expressionist painter, Robert Motherwell told me an amusing anecdote about Mondrian. When the Dutch painter first arrived in New York in 1940, Motherwell and another young painter, William Baziotes, were delegated to show him around.

Photograph of Jessica Verrecchia, born Paris 1997. Picture: Toby Williams

Art review: Migration Stories: Valentina Bonizzi, Scottish National Portrait Gallery

A MASSIVE bronze hand, foot and ankle and some scattered stones sit in front of St Mary’s Cathedral at the top of Leith Walk in Edinburgh. Thousands of people walk past them every day, but I suspect not many feel much curiosity.

Art reviews: James Cowie | Stuart Franklin

TO ADAPT a famous headline about a small earthquake in Chile: “2013, obscure artist’s bicentenary, few celebrate.”

Jim Gilchrist rss

Karine Polwart argued folk embraced all human experience. Picture: Ian Rutherford

TradFest conclusion looks at state of folk arts

THE final day of what appears to have been a successful debut for Edinburgh’s 12-day TradFest saw some intriguingly disparate elements – from Robert Burns to Patrick Geddes – invoked in a conference assessing the place of the traditional arts in 21st century Scotland.

Wham, bam, thank you Vamm: Fiddlers and mandolin star get together

YOU MAY regard it as a benign reversal of those bad old Viking incursions or, more accurately, a sign of Scotland’s ever expanding musical interests, but there has been a marked migration of notable fiddlers from these shores to Norway in recent years.

Paolo Fresu will play with Omar Sosa and Trilok Gurtu. Picture: Contributed

Gurtu/Fresu/Sosa: Music that vibrates

PILGRIMS HAVE been tramping to Santiago de Compostela, in Spain’s north-west fastness of Galicia, for many centuries.

Susan Mansfield rss

Rehearsals for The Day I Swapped my Dad for Two Goldfish. Picture: Phil Wilkinson

Director Lu Kemp on The Day I Swapped My Dad For Two Goldfish

AS REHEARSAL rooms go, this one has a few interesting quirks.

Art reviews: Mariana Castillo Deball | Nicolas Party | Ella Kruglyanskaya

BRITISH explorer Alfred Maudslay was one of the first Europeans to study Mayan sites in Mexico and Guatemala in the late 19th century.

Arts Blog rss

Zoe Saldana as Uhura and Zachary Quinto as Spock in the new Star Trek film. Picture: Contributed

Arts blog: ‘Uhura is not far off being Bridget Jones in space’

SEXISM lets down the new Star Trek movie according to trekkie Andrea Mullaney, while David Pollock previews a Cuillins psychogeography project.

Mads Mikkelsen as Hannibal Lecter in the new TV adaptation. Picture: NBC

Arts blog: Hannibal taking bite out of cinema | Twitter plays

ALISTAIR Harkness finds further evidence that American TV is outperforming the US film industry, while Andrew Eaton-Lewis discusses the art of creating a drama in 140 characters.

Justin Currie's response to the Pop Cop survey raised some eyebrows. Picture: Contributed

Arts blog: Musicians on independence | Edinburgh Fringe

NOW that it’s fewer than 500 days until the referendum that will change Scotland forever, or not, you’ll be hearing lots more well-known names explaining why they’re voting one way or the other.

Bon Scott lead singer for the band AC/DC with Angus Young. Picture: Getty

Arts blog: Boards of Canada | Bonfest

AT time of writing, two of the most inventively staged viral music marketing campaigns of the year are reaching their endgame.

Susan Calman. Picture: Contributed

Arts blog: Lyceumgate | Calmangate | Gatefold Sleeves

FOR a while now, the website 100percentmen.tumblr.com has been naming and shaming institutions across the world which consist entirely of men, from boards of major companies to the line-up of the New York Comedy Festival.

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