Scents and the city: Glasgow’s odour map revealed

By STEPHEN MCGINTY
Published on 28/08/2012 01:12

GLASGOW smells of diesel, wet moss and Lorne sausage according to a designer who has created an unusual map of the city that charts its scents rather than its streets.

Kate McLean has spent weeks sniffing around Scotland’s largest city in order to compile a revolutionary map of Glasgow which was unveiled yesterday at the Glasgow Science Centre.

The designer has created a new way of looking at cities and towns around the world by tracking familiar odours such as, in Glasgow’s case, the carbolic soap scent of its tenement stairwells or the whiff of the city’s subway. Where previously maps showed Glasgow’s highways, landmarks, hills and rivers, McLean’s Sensory Maps project recorded residents and visitors’ experiences of the city’s smells.

The result is a multi-coloured map depicting how the city smells. The ten dominant scents of the city have been represented by a series of different coloured dots arranged in distorted contour circles charting the flow of aromas around Glasgow.

The smell most commonly associated with the city, according to the designer’s research, is that of the subway. McLean describes the scent of the “Clockwork Orange”, as the subway is known, as “a warm, humid, metallic sponge”.

Other dominant smells include the perfume of people socialising and shopping in Buchanan Street and Sauchiehall Street. The scent of hot Bovril hangs over the football stadiums at Firhill, Ibrox and Celtic Park.

As part of her research McLean interviewed residents, conducted surveys and toured the city, including spending time “sniffing” around the Necropolis, Glasgow’s Victorian cemetery, which, like much of the city’s green spaces smelled of “wet moss”.

The Glasgow smell map is McLean’s biggest project to date. She drew upon the recommendations from the city’s commuters, residents, workers, tourists, and the city council.

McLean had previously created smell maps of Paris, Edinburgh, Newport (Rhode Island, USA) and the smelliest block of Manhattan. Yesterday she said that, compared with windy Edinburgh, where the city’s smells are spread over several miles, Glasgow’s rainy weather means its smells stay in the area they are created.

McLean has bottled the smells featured on the map for visitors to sniff at Glasgow Science Centre, except one: the scent of diesel, which reflects the city’s roads and infrastructure, was deemed unsafe for visitors to smell.

Yesterday McLean said: “Smell is an unusually evocative sense in that it links almost directly with the area of our brain responsible for emotion. In creating smell maps I aim to sensitise tourists and visitors to city environments in order to create lasting memories.

“I believe the most precious moments of travel are captured and carried with us not through our cameras but through our senses. While our visual sense dominates short-term memory of places, smell has longer memory associations.”

A Glasgow City Council spokesperson said: “We’ve had many exhibitions over the years, but this is the first we’ve heard of that marks the city’s smells.”

The map will be on display at the Glasgow Science Centre until mid-September.

Related Articles

• Glasgow smells better: A deep inhalation can add an entirely new ‘scents’ of place to a stroll round the city video

  AT AROUND half-past four in the morning, when the sky is still dull and the skeletons of gasometers appear as bony silhouettes on the damp horizon, the first characteristic smells of Glasgow rise into the air.

  2 Comments

• Leaders: Watchdogs with bite welcome in our institutions

  THERE are those who argue that our public institutions suffer from the tyranny of over-inspection and that the professionals who run our schools or hospitals or social services should be left to do their jobs free from interference from outside bodies who know far less about it than those working at the “coal face”.

  0 Comments

• Kate McLean: Finding new route to mapping the Capital

  How well do you know Edinburgh? Kate McLean reveals how she used its sights, smells and feel to create representations of the city