Classical review: The Tallis Scholars. Kelvingrove Gallery, Glasgow

By KELLY APTER
Published on Saturday 11 February 2012 02:53

WHEN Allegri’s Miserere was first performed in the Sistine Chapel, the candles were extinguished one by one, until just one remained.

It must have been an incredible experience, and although Kelvingrove Gallery didn’t quite manage to evoke such a powerful atmosphere, it came pretty close.

The high ceilings and beautiful stonework of the centre hall served as a perfect backdrop for the soaring voices of the Tallis Scholars.

Although there were moments when the a capella sound became so moving, closing your eyes and imagining you were indeed under those Michelangelo frescoes, seemed more appropriate than admiring the decor.

With five of the vocalists on stage, four in one alcove and one lone singer tucked away on the other side of the hall, a kind of surround-sound quality was produced, that was simply breath-taking.

The highlight, maybe, but Allegri wasn’t the only one to get under our skin. Palestrina and his student Soriano also took us back to 16th century Rome, when the Catholic church commissioned some seriously good tunes.

Tallis director, Peter Phillips is committed to keeping Renaissance polyphony alive and well, 400 years after it was top of the charts.

Both in secular and religious settings, these sacred works still have the power to pull, and entertain a sell-out crowd.

This talented Cambridge-based ensemble celebrates its 40th anniversary next year – long may they continue to take old works to new and diverse audiences.

Rating: ****

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