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Fear in world of theatre over threat to Assembly



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Published Date: 20 August 2008
LEADING figures in the Scottish and international theatre world spoke yesterday of their concern over plans for the Assembly Rooms, a central Fringe venue for over 25 years.
The City of Edinburgh Council is pursuing plans for a £12 million revamp it says is long overdue, turning the building into a year-round venue for drama, dance and music, including rock concerts.

However, the Assembly venue director, William Burde
tt-Coutts, has warned that the closing of the site for two festivals, with the conversion of the ground-floor Fringe spaces into a fine-dining restaurant and shops, would sound the death knell for his operation.

Yesterday, Guy Masterson, the actor and director whose 12 Angry Men at the Assembly Rooms was a celebrated Fringe success, expressed incredulity at the proposals.

He has six productions at the Assembly this year, many using the venue's smaller spaces.

"My relationships with the Edinburgh Festival are shaken to the foundation by the idea of the rooms being turned into shops," he said yesterday.

Masterson was among a group of respected Festival participants who said they feared for the Assembly Rooms as a core Fringe brand with a UK and even worldwide reputation.

The Lyceum Theatre chairman, Donald Emslie, a former chief executive of SMG, warned of a "significant loss to the Fringe and the wider cultural and artistic reputation of Edinburgh".

The American director and writer John Clancy, a five-times Fringe First winner, called it an "essential, vital hub".

Mr Burdett-Coutts said this week that the council's plans were driven purely by financial concerns, borrowing £6 million and seeking the other £6 million from funding bodies. For anyone working in the cultural sector, the idea that it would be self-supporting was absurd, even without building cost overruns, he said.

"When it reopens, Assembly Theatre will have lost at least three performance spaces – the Wildman Room, the Supper Room and the Edinburgh Suite – along with the Club Bar," he said. "We operate on a very tight financial model and the building in its new guise will not be commercially viable."

It was in the Wildman Rooms that the US comedian Demetri Martin first performed in Edinburgh in 2003, to just 120 people. He won the Perrier Award, came back the following year to play the 300-seater Assembly Ballroom and now has a career that sees him playing the lead role in the latest film from director Ang Lee, along with a comedy show on US television.

"It's a very prestigious venue, and if you are going to bring someone over from America for the killer first show, you want to go somewhere very respectable. It still has that image, though it may not be cutting-edge for all new comedy," said Hannah Chambers, the comedy manager and promoter, who first brought Martin to Edinburgh.

But yesterday the council said it was determined to proceed. Deidre Brock, the Edinburgh culture and leisure chief, said: "Businesses that use the venue in the past have said it is in need of refurbishment. We do feel this is the right way forward for the city and the Assembly Rooms.

"This will enhance its use, not just in the four weeks of the Festival period, but throughout the whole year."




The full article contains 553 words and appears in The Scotsman newspaper.
Page 1 of 1

 
1

Fifi la Bonbon,

20/08/2008 01:11:02
Right, Mister Burdett-Coutts. The Assembly Rooms belong to Edinburgh, not to you. You are just someone who rents them for a few weeks each year. There are other people to rent them to. And now you are getting really annoying and repetitive.

And as for your pals quoted in the story - you can eff right off. Just listen to yersels -

"...a group of respected Festival participants who said they feared for the Assembly Rooms as a core Fringe brand with a UK and even worldwide reputation."

Have you ever in your puff heard such a bunch of people so obviously up themselves? "A core Fringe brand!"

And to threaten Edinburgh with the loss of overpaid American comics is quite frankly pathetic. The Fringe can do without the likes of that, it really can, and will probably be the better for it.

2

Boy Wonder,

20/08/2008 07:22:57
There's no doubt it will be a loss to the Fringe ... but the Fringe doesn't need the Assembly Rooms as much as Mr Burdett-Coutts does.

The refurbishments are necessary, but I agree putting shops inside is a mistake. The restaurant could always be a supper-theatre venue. Or a piano lounge.

Come on Mr Burdett-Coutts ... what's really bugging you is a very personal "loss of prestige" on the Fringe scene, isn't it??

I repeat ... the Assembly Rooms doesn't belong to you!
3

1745,

Edinburgh 20/08/2008 08:59:15
Let the Edinburgh City Council publish the plans for this refurbishment, then we can decide if we ( the people who live in the City) approve or not. The Assembly Rooms is a historic building and should not be subject to some developer's whim.
4

dba,

Edinburgh 20/08/2008 10:41:14
Could someone at Scotsman Publications please explain why all of their publications insist on pandering to the fears of Mr. Burdett-Coutts and his artistic 'chums'?
Today's story is the fifth such one carried in the Groups pages and, given the vast number of more appropriate topics avaiable, one is forced to wonder who is scratching who's back!
For over 2o years Mr. Burdett-Coutts has hired (in the early years for extremely low rent)what is, undoubtedly one of the most central and flexible venues in the City.
Over those years he has made a great deal of profit from his activities on Council Property and despite extensive research I have failed to find any record of him contributing to the refurbishment of the building. (I did find that a Baroness Burdett-Coutts did pay for the erection of Greyfriars Bobbie's statue!)
THIS IS NOT A NEW NEWS STORY!
The Council announced their plans some considerable time ago, in order to give Mr. Burdett-Coutts and his 'chums' time to seek alternative venues: had they done so they would have found (a) there and none as good around and (b) the ones that are are extremely commercially priced and (to them) very expensive!
HURRAH for the proposed refit: thereafter for all 'lets' of the premises (but especially during the festival) competitive tendering should apply, two years in advance.
Promoters should also be required to lodge a cash bond to cover the costs of any damage of restitution thereafter required and be able to produce evidence of full, comprehensive insurance.
When this sort of practice comes into force, the Council may actually recoup some of the money that will be spent on restoring the'jewel in the crown' as opposed to seeing vanish into the pockets of promoters!


 

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