Feather in her cap
In the months and years leading up to the launch of the NTS I confess I was sceptical about whether such a thing was needed, and was fearful that it would focus on established works at the expense of brave new writing.
How wrong I was.
Some of the most memorable performances I have seen in recent years – whether because of outstanding writing, societal relevance and dazzling performances, as in the case of Black Watch, or because of exciting site-specific locations, such as Roam and several other projects – have been NTS productions.
I wish Ms Featherstone luck in her new role but I wish she wasn’t going.
PAUL DAVIDSON
Clarence Drive
Glasgow